Within the Ruins, it is the archetype of the djent. To such an extent that it becomes ridiculous. Or good? Ridiculously good. Everything is overproduced to the bone, to the point that one comes to doubt: are there really humans at the origin of this sound? The title of their fifth and last album to date, Halfway Human, leaves the doubt. One thing is certain, there is matter to divide. And it is not for nothing, WTR (for the intimates and the lazy ones) found its lode: a deathcore / djent to the hyper léché sound, where the chugs on the guitar side virtuous leads. Add to this a growls / singing alternation at the limit of the telephone, and you have the rough portrait of the American quartet. But it goes a little further than that.